How Kodak film and VistaVision shaped the distinctive Oscar-winning look of 'The Brutalist'
With a budget of under $10 million, DP Lol Crawley utilized VistaVision and Kodak film stock to create The Brutalist's timeless aesthetic
How many Oscars did 'The Brutalist' win? See list of post-WWII epic's results
"The Brutalist" directed by Brady Corbet featuring Adrian Brody had earned 10 Oscar nominations and was in running for the night's biggest prize.
‘The Brutalist' Wins Best Original Score Oscar
Composer Daniel Blumberg called the film's director Brady Corbet his "artistic soulmate" in his acceptance speech.
How to Watch Oscar-Winning Drama ‘The Brutalist' Online
A24's epic period drama stars best actor winner Adrien Brody alongside Academy Award-nominated stars Felicity Jones and Guy Pearce - here's when it's expected to stream on Max.
Where to Stream the Oscar-Winning Epic ‘The Brutalist’
The Brutalist' picked up three Oscars, including Best Actor. The film will be released on Blu-ray in late March and is available on VOD now.
Where to stream ‘The Brutalist’ — how to watch the three-time Oscar winner right now
The Academy crowned “Anora” as the biggest winner of the night, but Brady Corbet's three-and-a-half-hour epic still took home three Oscars, including Best Actor, Best Original Score and Best Cinematography.
"Couldn't be prouder" - Friends congratulate Welsh filmmaker after first Oscar win
Award-winning cinematographer Lol Crawley who studied in Wrexham has been blessed with messages of support following his win at the Oscars.
From Star Wars To The Brutalist: The Return Of VistaVision
The Oscar-tipped The Brutalist was shot in VistaVision, a film format last used in the 1950s. To understand why we need to dive into the fascinating history of cinematic film formats.
‘The Brutalist’ Wins Best Cinematography
Lol Crawley, a first-time Oscar nominee, won the cinematography award for “The Brutalist,” giving the film its first trophy ...
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What cameras are being used on the 2025 Best Cinematography Oscars nominees?
Explore the diverse range of cameras used in the 2025 Best Cinematography Oscars nominees, with a surprising emphasis on ...
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Why ‘The Brutalist' Revived Alfred Hitchcock's Favorite Format - and Why You Should See the Movie in 70mm to Appreciate It
In the early 1950s, Hollywood introduced numerous widescreen formats in an effort to compete with the rise of television; the thinking was that the spectacle of CinemaScope, Cinerama, and other ...
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Adrien Brody on His ‘The Brutalist’ Accent, Being “A Bit Concerned” About Filming in VistaVision and If He Will Direct
Adrien Brody says that while he’s “receptive to working with a variety of material” as an actor, taking on the title of director is “definitely not” in the cards for now., but possibly ...
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Behind the scenes on The Brutalist
Everything about it is oversized — from its ambitious runtime to the sheer production scale. Shot on 35mm VistaVision, the film spans over three and a half hours and generated more than 10 million ...
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How ‘The Brutalist' Score Echoed VistaVision with an Epic Sound
Composer Daniel Blumberg didn't take it for granted that any of the world-class musicians he asked would want to work on the score for "The Brutalist." Traveling with a suitcase full of ...
Variety18d
Oscar-Nominated Cinematographers on Using Classic Techniques and Old Tech for a Modern Feel
DeMille’s “The Ten Commandments” and Alfred Hitchcock’s “Vertigo,” VistaVision was designed as a competitor to 20th Century Fox’s Cinema- Scope, which employed an anamorphic lens to ...
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Director Brady Corbet answers every question we had after watching The Brutalist
The story of The Brutalist's impressive journey from conception to creation, all on a relatively tiny budget for its VistaVision-sized ambitions, has been pretty exhaustively covered by now.
Chicago Tribune4d
Column: The Oscars are Sunday. Who will win, who should win, and is ‘Anora’ the movie to beat?
Co-writer and director Brady Corbet’s “The Brutalist” was shot on film, in the nearly vanished VistaVision format, and while it gets a little lost in its second half — the third time I saw ...