‘Presence’ is a handcrafted ghost story as seen by the ghost
They’re selling “Presence” as a horror movie when it’s something else entirely: a ghost story as told from the point of view of the ghost. As such, it’s more unsettling than scary, more dramatically gripping than nerve-shredding.
Review: ‘Presence’ is a cerebral ghost story that hides a family drama under the sheet
With the audience haunting a sad family through a spirit's POV, Steven Soderbergh's latest experiment is ultimately about the never-ending appeal of voyeurism.
Steven Soderbergh cracks another genre with the clever ghost story Presence
Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ghost-story horror.
With ‘Presence,’ Steven Soderbergh makes a ghost story from the phantom’s point of view
"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."
Steven Soderbergh decided to make a ghost story. He also wanted to play the ghost
Often the camera operator on his own films, the Oscar-winning director of "Traffic" had an idea for a first-person horror movie, one that required some stamina.
Steven Soderbergh's 'Presence' is a ghost story where the audience is the ghost
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,
Review: Steven Soderbergh's technically impressive ghost story 'Presence' is let down by its story
“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.
Review: Soderbergh brings unique cinematic ‘Presence’ to this ghost story
What makes “Presence” interesting is its point-of-view “gimmick.” It’s just the story that’s being told that’s somewhat hacky.
Do you feel a ‘Presence’? Inside Steven Soderbergh’s reverse ghost story, filmed in N.J.
The menacing dark corner of a room. Hair standing up on the back of your neck. A whoosh of air past your arm. That uncanny sensation that just won’t quit. Plenty of us feel, at one time or another, like there’s an unseen someone — or something — watching us.
‘Presence’ review: In a tense ghost story with Lucy Liu, a house is haunted through an unseen spirit’s eyes
The writer Christopher Isherwood put it this way, in his novel “Goodbye to Berlin”: “I am a camera with its shutter open, ...
Immersive movie 'Presence' sees dysfunctional family from a ghost's POV
The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even ...
A story of Ghost's concert movie, logistical complexity and Hollywood finance
Ghost’s concert-film-and-much-more Rite Here Rite Now fully immerses fans in what has helped turn them into today's greatest ...
Lucy Liu has spirited take on ‘Presence’
A ghost story seen through the ghost’s perspective? That’s the unusual if compelling premise for Steven Soderbergh’s ...
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There’s one thing you need to know before watching Presence
Steven Soderbergh’s Presence is being marketed as a horror movie, but there’s one thing audiences should know before they ...